meridian_rose: pen on letter background  with text  saying 'writer' (Default)
by: meridian_rose
fandoms: The Borgias, Legend of the Seeker, The Vampire Diaries, Repo! The Genetic Opera, Disney's Beauty and the Beast
kinks: shaving/depilation, bodies and body parts, mirrors/doubles, drugs/aphrodisiacs, spaces scenes and settings
My Card
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Icons

Oct. 9th, 2013 03:15 pm
meridian_rose: legend of the seeker featuring richard, kahlan, zedd and cara (legend of the seeker: team)
Icons made for kink bingo, all PG-13
A - For the prompt 'bodies and body parts' Legend of the Seeker, Cara's cleavage
B- For the prompt 'spaces scenes and settings' Disney's Beauty and the Beast, library kink
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meridian_rose: pen on letter background  with text  saying 'writer' (writer)
Title: An Intimate Moment
Fandom: Original
Pairing/Characters: m/f pairing
Rating: R
Word Count: 1646
Beta: [profile] ratpaw - any remaining errors are my responsibility
Prompt: For the [community profile] kink_bingo February challenge (mixed media) and the prompt on my second card spaces, scenes and settings
Summary: A forthright woman. An ex-military man. An alleyway. An intimate moment.
Content Notes: No standard warnings apply. Explicit sexual scene.
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meridian_rose: pen on letter background  with text  saying 'writer' (writer)
fandoms: The Borgias, Game of Thrones, Legend of the Seeker, Dr Horrible's Sing-a-long Blog, Dollhouse
kinks: Fisting/Stretching, roleplay, voyeurism, authority figures, shaving/depilation

fill details and links, with banners, under the cut )
meridian_rose: pen on letter background  with text  saying 'writer' (keep calm)
I'm addicted. Is there a comm for bingo card addicts like there is for landcomm addicts? Where instead of preaching abstinence we enable each other by providing links to even more bingo cards/comms? :D

latest two )
meridian_rose: pen on letter background  with text  saying 'writer' (writer)
I signed up for [community profile] kink_bingo this year and what interests me most about this bingo is the broad interpretation of 'kink'. Fanworks do not have to feature sex and can be G rated.

This excellent post gives some good ideas about how to put the focus on the prompted kink at the heart of the piece… in such a way that either the characters, or the fanwork, or the audience, or any combination of the above, are interested in/stimulated by/gratified by the kink in question.

It makes a distinction between 'erotic' and 'sexy'. Eroticism can be applied in a far wider context. A kink can often be about making strange or unusual connections between culture, body, and mind, the author says, and describes how eroticism can be sensual and/or intense. The sensual aspects are all about the body and the senses; the feel of a whip or the smell of essential oils.

Intensity is about making the erotic connection to an object or situation – 'fetish' is the word that comes to mind, though the term is not used at [community profile] kink_bingo due to its troubled medicalized history. Intensity is more about the outer and symbolic rather the body. It's why a character gets turned on by a man in uniform or by shaving their legs – the meaning behind the object/action rather than merely the thing itself.

That's intensity: intensity of emotion and intensity of physical sensation. Your characters might experience intense pain, or intense pleasure, or intense interest, or intense disgust, or intense tingling…but what those have in common, and what tends to make them kinky, is the intensity itself.

What especially interested me about this post was how the author linked it to something most if not all of us can relate to; fannish experience.

known, in some fannish circles, as "having feels" or simply "FEEEEEEEELS!" – the rush of emotions and physical sensations too overwhelming and powerful to even be described or enumerated…Fannishness is its own kind of fetishism, of course, and is often made fun of in popular culture in the same way that kink is made fun of. Fans are too intense, we are told, too focused on a particular object of desire; we allow the things we should only like – not love – to fill the entire frame of our existence and make us feel.

The post looks at how to make a kink the focus of the work, to capture the arousal it engenders – again, not necessarily sexually, but in a stirring of the senses. It concludes that to give erotic focus is to draw our attention to that kink, and encourage us to feel something about it; encourage us to feel, encourage us to experience, simply because the locus of our attention has changed.

It harks back to emotional bareness as opposed to merely bodily nakedness. It means not every kink is sexual, and in exploring with my own asexuality, sensuality, and kinkiness, that's very important to me.

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